66 Ergebnisse für: film’s
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The Bride *** (1985, Sting, Jennifer Beals, Anthony Higgins, Clancy Brown, Veruschka, Quentin Crisp) – Classic Movie Review 5289 | Derek Winnert
http://www.derekwinnert.com/the-bride-1985-sting-jennifer-beals-anthony-higgins-clancy-brown-veruschka-quentin-crisp-classic-mov
Keine Beschreibung vorhanden.
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The Bride *** (1985, Sting, Jennifer Beals, Anthony Higgins, Clancy Brown, Veruschka, Quentin Crisp) – Classic Movie Review 5289 | Derek Winnert
http://www.derekwinnert.com/the-bride-1985-sting-jennifer-beals-anthony-higgins-clancy-brown-veruschka-quentin-crisp-classic-movie-review-5289/
Keine Beschreibung vorhanden.
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Columbia Pictures Horror, Science Fiction and Fantasy Films, 1928-1982 - Michael R. Pitts - Google Books
http://books.google.de/books?id=PKxN1as8XOMC
From 1928 through 1982, when Columbia Pictures Corporation was a traded stock company, the studio released some of the most famous and popular films dealing with horror, science fiction and fantasy. This volume covers more than 200 Columbia feature films…
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I Was a Monster Movie Maker: Conversations with 22 SF and Horror Filmmakers - Tom Weaver - Google Books
https://books.google.de/books?id=Hx1gobckUGEC&pg=PA80
Phil Brown, who played Luke Skywalker’s uncle in Star Wars, said, “In my long life in films, there are ones I’m proud of and those I’m not proud of. The Jungle Captive and Weird Woman fall into the latter category.” House of Wax co-star Paul Picerni was…
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Guillermo Calles: A Biography of the Actor and Mexican Cinema Pioneer - Rogelio Agrasánchez, Jr. - Google Books
https://books.google.de/books?id=SSobsiSzXZgC
In 1912, Guillermo Calles (1893–1958) became the first Mexican actor to appear in films made in California. Despite limited resources, he began directing and producing his own movies, and in 1929 pioneered production of Spanish-language sound films. His…
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Film Marketing - Finola Kerrigan - Google Books
https://books.google.de/books?id=rsEtDwAAQBAJ
The role of the film marketer is both vital and challenging. Promotion is one of the industry’s biggest costs, with the campaign of a large film costing up to half its production budget. Box office results, however, are wildly unpredictable: relatively few…
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Turkish German Cinema in the New Millennium: Sites, Sounds, and Screens - Google Books
https://books.google.de/books?id=itVXmVfBz08C
In the last five years of the twentieth century, films by the second and third generation of the so-called German guest workers exploded onto the German film landscape. Self-confident, articulate, and dynamic, these films situate themselves in the global…
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Chinese Women's Cinema: Transnational Contexts - Google Books
http://books.google.de/books?id=-qXC582EhkcC
The first of its kind in English, this collection explores twenty one well established and lesser known female filmmakers from mainland China, Hong Kong, Taiwan, and the Chinese diaspora. Sixteen scholars illuminate these filmmakers' negotiations of local…
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Mathematics in Popular Culture: Essays on Appearances in Film, Fiction ... - Google Books
http://books.google.de/books?id=Q-Q_2G8CiyYC
Mathematics has maintained a surprising presence in popular media for over a century. In recent years, the movies Good Will Hunting, A Beautiful Mind, and Stand and Deliver, the stage plays Breaking the Code and Proof, the novella Flatland and the hugely…
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The First Hollywood Musicals: A Critical Filmography of 171 Features, 1927 ... - Edwin M. Bradley - Google Books
https://books.google.de/books?id=Rg-UBJaPD-sC&pg=PA160&lpg=PA160&dq=whispering+jack+smith+happy+days&source=bl&ots=MGhgLryTEF&si
As Hollywood entered the sound era, it was rightly determined that the same public fascinated by the novelty of the talkie would be dazzled by the spectacle of a song and dance film. In 1929 and 1930, film musicals became the industry’s most lucrative…